When Letting Go Still Hurts: Sydney Rose and Tom Odell Stay in the Feeling
“Over (feat. Tom Odell)” unfolds like a late-night confession you weren’t planning to make but can’t hold back anymore. Sydney Rose approaches the song with her signature intimacy, singing as if she’s afraid to disturb the silence around her, while Tom Odell’s presence adds a quiet gravity that deepens every emotion rather than overpowering it. Together, they turn a simple word—over—into something painfully unresolved, heavy with the realization that endings are rarely as clean as we pretend they are.
The track begins stripped down and exposed, built around soft instrumentation that leaves plenty of space for Rose’s voice to breathe. Her delivery feels fragile in the most intentional way, capturing the internal monologue of someone replaying the same thoughts over and over again. There’s a sense of self-awareness in the lyrics, an understanding that the emotional cycle she’s stuck in might be unhealthy, but also an inability to step away from it just yet. It’s this tension—knowing something should be finished while still feeling consumed by it—that gives the song its emotional bite.
As the song progresses, Tom Odell enters not as a dramatic counterpoint but as a steady emotional anchor. His voice brings warmth and a sense of shared understanding, like someone sitting beside you in the aftermath rather than trying to fix the pain. The harmonies between Rose and Odell feel natural and unforced, emphasizing connection rather than contrast. Instead of turning the song into a grand duet, the collaboration keeps everything grounded, letting the vulnerability remain front and center.
Lyrically, “Over” excels in its honesty. There’s no poetic overcomplication, just direct admissions of insecurity, longing, and emotional fatigue. Lines that touch on anxiety and self-sabotage feel lived-in rather than performative, making the song resonate with anyone who has ever stayed attached to a feeling long after it stopped being beneficial. The repetition throughout the track mirrors that emotional loop, reinforcing the idea that healing isn’t linear and closure doesn’t arrive on command.
What makes “Over” especially compelling is its restraint. The production slowly swells but never explodes, opting for subtle orchestral textures and gentle pacing over a dramatic release. That choice reinforces the song’s central truth: sometimes heartbreak isn’t loud or chaotic—it’s quiet, persistent, and deeply personal. The song ends without offering resolution, leaving the listener suspended in that same unresolved space, which feels entirely intentional.
With “Over,” Sydney Rose continues to carve out a space as an artist unafraid of emotional exposure, while Tom Odell’s contribution feels less like a feature and more like a shared moment of reflection. It’s a song that doesn’t rush healing or romanticize pain; instead, it sits with discomfort and lets it speak. In doing so, “Over” becomes less about moving on and more about acknowledging how hard it can be to finally believe that something truly is.
